Tara Olsen, Thermal Cycles, Self-Portrait, 2026
Photo collage on corrugated metal, glass, and steel beams, backlit
30 x 40 x 4 cm
Isabella Séville Fürnkäs, The Memory House, 2023
Print on silk cloth, metal structure, bed sheet
200 × 200 × 150 cm
“My brain gets creamy with associative thought.”
(I love Dick, Chris Kraus)
Garance Bossion, Eat My Dust, 2024
Etching on Aluminium
70 x 45 cm
When something passes through an interstice, it mostly happens quickly, vaguely. A hint of something, an aftertaste. A passing plane, a hint of perfume from somebody walking past. Between birth and death, we think of life as an interstice. Arriving. Or returning.
The exhibition APPEARANCES OF THE INTERSTICE, curated by Lola Inó Schönherr, explores the interstice as a productive condition of perception through which relational meaning emerges. Through an interdisciplinary photographic dialogue that materializes gaps, captures moments of suspension, and reveals fleeting glimpses, the exhibition approaches the interstice as both a connective and separating force. Bringing together polyphonic perspectives on the ephemeral and fragile in-between, the presented works trace its poetic potential.
Kim-Camille Kreuz, it is what it is, 2026
Video
Featuring eight international and Greek artists, the exhibition challenges conventional understandings of photography through cross-disciplinary methodologies and critically engaged approaches. As part of the Athens Photo Festival, and situated within a broader theoretic discourse surrounding inter- and transmediality in photography, the exhibition proposes an autocritical extension through the prism of the interstice.
anthr0morph, Garance Bossion, Kildi Drasa, Kim-Camille Kreuz, Isabella Séville Fürnkäs , Tara Olsen, Tabata von der Locht and Evi Roumani all investigate liminal spaces between disciplines, forms, and meanings, engaging with the fleeting, transitory, and porous. The spectator’s gaze is redirected: towards the gaps in a fence, the cracks in a ceiling, the gap in one’s teeth.
ARTISTS
anthr0morph (b. 1998, Athens, GR) is a Greek artist working between Athens and London, dealing with transfeminist and ecologist subject matters within her interdisciplinary practice.
Garance Bossion (b. 2002, Marseille, FR) is a French artist working between Marseille and Athens whose interdisciplinary practice explores photography, film, and archival material as tools for reactivating personal and collective memory.
Kildi Drasa (b. 1987, Vlora, ALB) is a Greek-Albanian artist living and working in Athens, whose practice explores the tension between painting and industrial printing processes, examining technology and contemporary visual culture.
Isabella Séville Fürnkäs (b. 1988, Tokyo, JP) is a French-German artist working between Düsseldorf and Berlin whose transdisciplinary practice explores intimacy, digitalization, and contemporary communication through photography, video, installation, and performance.
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Kim-Camille Kreuz (b. 1999, Bavaria, DE) is a German artist working between Düsseldorf and Paris whose practice explores traces, material imprints, and the relationship between original and copy through photography, video, installation and performance.
Tabata von der Locht (b. 1996, Munich, DE) is a German-Bulgarian artist working between Athens and Munich whose transdisciplinary practice investigates urban traces and imprints through walking-based research, collecting fragments from the cityscape and reworking them into fabric collages, sculptures, and photographic compositions that reflect on presence, memory, and authorship.
Tara Olsen (b. 1994, Duisburg, DE) is a Greek-German artist based in Düsseldorf whose interdisciplinary practice spans sculpture, installation, set design, and stage construction, combining exhibition-making, spatial interventions, and collaborative production across art and public contexts.
Evi Roumani (b. 1989, Athens, GR) is a Greek artist, curator, and writer whose research-driven practice engages with image theory, embodied experience, and contemporary visual culture through artistic production, curatorial work, and academic research.
Tabata von der Loch, PAUSE, 2024
Cyanotype pigment prints on sewn textile layers
180 x 150 cm