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I Hate Hard Boiled Eggs

Lost time can be both satisfying and surprisingly flavorful, much like a perfectly boiled egg.

Endless hours of boredom and solitude in a blue-walled room of a modest, sunlit apartment building in Toumba, Thessaloniki. A single cassette player, VHS tapes, and sheets of cardboard—the foundations of music, movies, and makeshift games. Imaginary friends, too; chief among them, E.T. the Extraterrestrial. With time, real friends entered the picture.

From Chicago to Germany, Thessaloniki, Sarantaporo, Antiparos, Larissa, Athens. An existence woven between the art studios and dimly lit bars, repeating on a loop: late nights, music, abundant drinks, tables set for gatherings, and spontaneous dancing. Planned drinks or impromptu toasts. D.I.Y. grills and gourmet bites in rustic landscapes alongside late-night snacks on crumpled bed sheets.

Metaphysical dreams so vivid they felt real. First encounters with UFOs at age seven; first brushes with love in the years that followed. And recurring encounters with both to this day.

This book began in 2020, during the COVID lockdown. Out of boredom, I opened those countless boxes from Thessaloniki. Inside were empty, or nearly empty, diaries, analog photographs from family villages and vacations, a mountain of mini DV cassettes, scattered notes, and an abundance of free time. All these elements transformed the pleasure of boredom into this book, a tribute to that very sensation.

"And we were never being boring
We had too much time to find for ourselves."

— Pet Shop Boys, “Being Boring”

Marina Velisioti

Marina Velisioti born in Thessaloniki, Greece . Studied at the Department of Applied Arts at the School of Fine Arts in Thessaloniki.
After the graduation she attended a Fulbright Foundation seminar run by Glenn Lowry, director of MOMA, with the subject "Following the Modern: Thoughts on the Museum of Modern Art and the word of art today".

 

During her university studies she attended courses and seminars of scenography . Amongst her interests are video art applications and music themes of psychology, psychoacoustics and documentary. After MFA she studied in SEN-Heritage Looms, an association founded at the end of the 19th century in         Athens with the purpose to educate young women.

A scholar of U.F.O's, monsters, sci-fi culture. In the last section of her works, Marina Velisioti has been producing a series of collages, tapestries, sculptures developing narratives inspired by ancient buildings, deserted or forgotten landscapes,motifs symbols, over which I collide with the most prominent technique, turning them into astonishing, unrealistic universes, often with a playful mood.
She is the founder and editor of the art zine Bebabebo till 2013. She has been awarded the Stavros Niarchos Foundation Artist Fellowship by ARTWORKS (2022).

Selected Exhibitions: 

2023 Outraged by pleasure, Nobel Building, Athens

2023 Turkish Textile Biennial, Izmir

2023 Selasforos, Anoixta Pania, Chania, Crete

2022 Sheltered Gardens, A Commision by PCAI Polygreen, Diomedes Botanical Garden, Athens

2021 Thessaloniki Film Festival, The Rules of The Game, Thessaloniki Harbor

2021 Head2Head, A project by A-dash, Athens and Kling&bang, Reykjavik

2020 Cra(u)sh or How to make me kiss the Pavement, Group show, Grace, Athens

2019 ΗΛΕΚΡΙΣ / How to think like a mountain, Samothraki, Greece

2018 Matter Over Matter, Goethe Institut, Sofia, Bulgaria

2018 Suddenly There's A Valley, In situ Installation, Dimitra Danika hair salon, Athens

2017 Landscape Revisited, group exhibition, Elika Gallery, Athens

2014 Nature Immortelle, Solo Show, Romantso, Athens

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